finding Mary Gaitskill
If you’ve seen this post, this post and this post, then you know I’m reading Bad Behavior, Mary Gaitskill’s 1988 short-story collection. My path to Gaitskill and her writing gives me a fresh chance to poke at Nicholas Carr’s idea that the Internet “is turning us into shallower thinkers.”
I’m not going to do that — partly because I want to get back to reading Gaitskill, partly because my original 5/30/2010 critique remains right here for anyone who wants to find it.
I’m reading Gaitskill’s stories because Andrew Sullivan wrote a post about an anti-masturbation, anti-porn group called Dirty Girls Ministries. Sullivan’s post didn’t mention Mary Gaitskill. Nor did the Blaire Briody article that triggered Sullivan’s post. But I decided to blog about Briody’s article myself. While writing my post, I tried to build up an idea by referring to a scene from “Secretary.” I Googled the movie. Google led me to the movie’s Wikipedia page, where I learned that the movie is based on a Mary Gaitskill story. I clicked through to the Wikipedia entry for Mary Gaitskill, where I learned that Gaitskill “characterized the film as ‘the Pretty Woman version, heavy on the charm (and a little too nice).’” More Googling led me to a nerve.com interview and this quote from Gaitskill:
My reaction to (the movie), when I saw the rough cut, I thought it was the stupidest thing I’d ever seen. But I just thought, well, whatever. I felt sorry for Shainberg [the director]. I didn’t feel sorry for myself. I thought, the poor son of a bitch went through so much trouble, he’s never going to find a distributor, that’s really sad. But then there became this whole thing with money. I didn’t get paid when I was supposed to, and I was concerned that they were going to cheat me, and a lawyer told me they very well could. That was what upset me. I didn’t give a fuck about anything else. I just thought, if I don’t get my money, I’m going to have to kill somebody.
So I didn’t see it for a long time. I got paid, and as far as I was concerned that was the end of the story. Then my sister came to visit, and she wanted to see it. It had been out for some months at that point, and we went to the theatre, and I enjoyed it! It’s not what I would have done but it’s kind of sweet. My actual character in the story, Debby, she would have loved it. It was too cute and ham-fisted, too “wanting to create a positive image.” It wanted to make people feel good about themselves. It was so odd, because I read an interview with the screenwriter, who was sort of blathering about political correctness and how awful it was — well, the movie is the epitome of political correctness! It was a positive statement about people who are into S&M, and those who don’t understand. Which I find icky.
I decided to find and read Gaitskill’s version of “Secretary.” I’ve done that. Now I’m reading more of her stories and getting all caught up in details of why, for example, it was so crucial that she used the word “roughly” in a particular sentence. This experience, like so many others, cements my sense that this part of my original critique of Carr was especially right:
If Carr’s piece causes people to rethink the choices they make online, I’m all for that. But I’ll be upset if Carr’s piece causes people to flee the Internet or to resign themselves to an online reading experience that, to use those words of yours, is “more like watching the landscape from a train.” It’s not just that we can drive our own train. It’s that we’re free to jump the track, to go where we want at the speed we want with as many or as few distractions, digressions, and deep-thinking dives as we choose.