- Joan Didion. Again. I know. I’ll try to stop. But “so exotic as to be almost czarist” demands to be blogged. Besides, the sentence is from a scene set at my college 37 years before I got there, 13 years before my dad left the East to go there for grad school. A scene set on “an early afternoon in my sophomore year at Berkeley, a bright autumn Saturday in 1953” is a scene tailored to fascinate me. The scene also gets my vote for how a hypothetical Didion biopic should begin. Maybe it should be the frame for the whole film, the basecamp for every flashback and flashforward:
I was lying on a leather couch in a fraternity house (there had been a lunch for the alumni, my date had gone on to the game, I do not now recall why I had stayed behind), lying there alone reading a book by Lionel Trilling and listening to a middle-aged man pick out on a piano in need of tuning the melodic line to “Blue Room.” All that afternoon he sat at the piano and all that afternoon he played “Blue Room” and he never got it right. I can hear and see it still, the wrong note in “We will thrive on / Keep alive on,” the sunlight falling through the big windows, the man picking up his drink and beginning again and telling me, without ever saying a word, something I had not known before about bad marriages and wasted time and looking backward.